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Transcending the Gallery
Clark, Justin T
City of Second Sight, 2018, p.82
United States: The University of North Carolina Press
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Título:
Transcending the Gallery
Autor:
Clark, Justin T
Assuntos:
Aesthetic objects
;
Aestheticism
;
Aesthetics
;
Applied arts
;
Architecture
;
Art collecting
;
Art exhibitions
;
Art galleries
;
Art genres and movements
;
Art history
;
Art objects
;
Arts
;
Arts participation
;
Auctions
;
Axiology
;
Behavioral sciences
;
Boston art galleries
;
Boston Athenaeum
;
Buildings
;
Collecting
;
Commercial buildings
;
Decorative arts
;
Economic disciplines
;
Economics
;
Financial economics
;
Financial markets
;
Glass art
;
History of the Americas
;
Hobbies
;
Leisure studies
;
Market mechanisms
;
Philosophy
;
Plastic arts
;
Portraits
;
Recreation
;
Retail stores
;
Romanticism
;
Sculpture
;
Spectatorship
;
Transcendentalism
;
Visual arts
É parte de:
City of Second Sight, 2018, p.82
Descrição:
In the 1820s, Boston’s avid new middle-class spectators encountered the fine arts in an unprecedented range of public spaces, including auction rooms, ware houses, and dedicated exhibition halls such as the Boston Athenæum Gallery, Harding’s Gallery, the New England Museum, the triennial Massachusetts Charitable Mechanics Fairs, and Horticultural Hall. Criticized by some as a luxury and an extravagance, the new public exhibition culture was defended with equal passion by Boston’s leading liberal Protestant aesthetes, for whom art served as a “laudable and improving resort for the community,” as a minister and amateur artist insisted.¹ Exposure to art supposedly offered Bostonians
Editor:
United States: The University of North Carolina Press
Idioma:
Inglês
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