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Commemoration and Propaganda in Salazar's Portugal: The "Mundo Português" Exposition of 1940

Corkill, David ; Almeida, José Carlos Pina

Journal of contemporary history, 2009-07, Vol.44 (3), p.381-399 [Periódico revisado por pares]

London, England: Sage Publications

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  • Título:
    Commemoration and Propaganda in Salazar's Portugal: The "Mundo Português" Exposition of 1940
  • Autor: Corkill, David ; Almeida, José Carlos Pina
  • Assuntos: Authoritarianism ; Commemoration ; Commemorations ; Conservatism ; Countries ; Cultural Identity ; Cultural policy ; Dictators ; Dictatorship ; Empires ; Exhibitions ; Fascism ; Identity ; National identity ; Portugal ; Propaganda ; Salazar, Antonio de Oliveira ; Social Identity
  • É parte de: Journal of contemporary history, 2009-07, Vol.44 (3), p.381-399
  • Notas: ObjectType-Article-2
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    ObjectType-Feature-1
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  • Descrição: Salazar's Portugal is often represented as a colourless, pale imitation of the fascist dictatorships in other parts of Europe during the 1930s and 1940s. Yet, in its consolidation phase, the regime embraced the concept of the ' festival state', and commemorative events and expositions became key ingredients in the attempt to forge a new, highly selective cultural identity for the Portuguese people. The centerpiece of these efforts was the Mundo Português Exposition of 1940, when the symbols of a new hybrid identity grafted the discourse of Empire onto the traditional conservatism of the New State (Estado Novo). This major cultural event served a triple function for the regime's propagandists: in their quest for regime legitimacy, for propagating Salazar's nationalist version of the nation's history, and in shaping the national consciousness of the Portuguese people in order to eliminate the 'anti-national'.
  • Editor: London, England: Sage Publications
  • Idioma: Inglês
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