skip to main content
Visitante
Meu Espaço
Minha Conta
Sair
Identificação
This feature requires javascript
Tags
Revistas Eletrônicas (eJournals)
Livros Eletrônicos (eBooks)
Bases de Dados
Bibliotecas USP
Ajuda
Ajuda
Idioma:
Inglês
Espanhol
Português
This feature required javascript
This feature requires javascript
Primo Search
Busca Geral
Busca Geral
Acervo Físico
Acervo Físico
Produção Intelectual da USP
Produção USP
Search For:
Clear Search Box
Search in:
Busca Geral
Or hit Enter to replace search target
Or select another collection:
Search in:
Busca Geral
Busca Avançada
Busca por Índices
This feature requires javascript
This feature requires javascript
Raf Simons and Interdisciplinary Fashion from Post-Punk to Neo-Modern
Rees-Roberts, Nick
Fashion theory, 2015-02, Vol.19 (1), p.9-41
[Periódico revisado por pares]
Routledge
Texto completo disponível
Citações
Citado por
Exibir Online
Detalhes
Resenhas & Tags
Mais Opções
Nº de Citações
This feature requires javascript
Enviar para
Adicionar ao Meu Espaço
Remover do Meu Espaço
E-mail (máximo 30 registros por vez)
Imprimir
Link permanente
Referência
EasyBib
EndNote
RefWorks
del.icio.us
Exportar RIS
Exportar BibTeX
This feature requires javascript
Título:
Raf Simons and Interdisciplinary Fashion from Post-Punk to Neo-Modern
Autor:
Rees-Roberts, Nick
Assuntos:
21st century
;
art and architecture
;
Belgium
;
Christian Dior
;
Clothes
;
contemporary menswear
;
Cultural identity
;
Design
;
Fashion
;
Jil Sander
;
Masculinity
;
Men
;
Modernism
;
Raf Simons
;
Sander, Jil
;
Simons, Raf
É parte de:
Fashion theory, 2015-02, Vol.19 (1), p.9-41
Notas:
ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 23
Descrição:
Since the launch of his menswear label in 1995, Belgian designer Raf Simons has consistently caught the zeitgeist of contemporary fashion, supplying menswear with a range of styles, shapes, and symbols that articulate ideals of masculinity, influenced by European pop music, youth subcultures, mid-century fine art, modernist architecture, and interior design. This article examines the interdisciplinary relationship between Simons' designs and their contextual influences, documenting how his signature, first established in menswear, has been transformed through his womenswear collections for Jil Sander (2005-12) and since 2012 for Christian Dior, where he has reinterpreted the house's couture heritage. Drawing on archive material at the MoMu Fashion Museum in Antwerp and the Dior Impressions exhibition at the Christian Dior museum in Granville in 2013, this article further argues that a cross-gender dynamic is perceptible in Simons' later designs, part of his formal or "neo-modern" preoccupation with shape, color, and technology. The article concludes by suggesting that Simons' nomination at one of the most prestigious of the Parisian fashion houses and global luxury brands positions him as heir to the artistic and architectural strand of the couturier's legacy, making him instrumental in Dior's projection of its design heritage.
Editor:
Routledge
Idioma:
Inglês
This feature requires javascript
This feature requires javascript
Voltar para lista de resultados
Anterior
Resultado
5
Avançar
This feature requires javascript
This feature requires javascript
Buscando em bases de dados remotas. Favor aguardar.
Buscando por
em
scope:(USP_VIDEOS),scope:("PRIMO"),scope:(USP_FISICO),scope:(USP_EREVISTAS),scope:(USP),scope:(USP_EBOOKS),scope:(USP_PRODUCAO),primo_central_multiple_fe
Mostrar o que foi encontrado até o momento
This feature requires javascript
This feature requires javascript