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Music, Charm, and Seduction in British Traditional Songs and Ballads
Vic Gammon Thomas A. McKean
The Flowering Thorn, 2003, p.35
Utah State University Press
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Título:
Music, Charm, and Seduction in British Traditional Songs and Ballads
Autor:
Vic Gammon
Thomas A. McKean
Assuntos:
Acoustics
;
Aesthetics
;
Animal sounds
;
Animal vocalization
;
Anthropology
;
Applied aesthetics
;
Applied anthropology
;
Arts
;
Axiology
;
Ballads
;
Behavioral sciences
;
Bioacoustics
;
Bird songs
;
Cultural anthropology
;
Domestic workers
;
Economic disciplines
;
Economics
;
Folk culture
;
Folk music
;
Folkloristics
;
Folksongs
;
Labor
;
Labor economics
;
Literary genres
;
Literature
;
Maids
;
Music
;
Music genres
;
Music theory
;
Musical aesthetics
;
Musical performance
;
Musical pitch
;
Musical register
;
Performing arts
;
Philosophy
;
Physical sciences
;
Physics
;
Poetic forms
;
Poetry
;
Popular music
;
Popular songs
;
Singing
;
Stanzas
;
Vocal music
;
Womens songs
;
Workforce
É parte de:
The Flowering Thorn, 2003, p.35
Descrição:
In this essay, I want to explore certain themes and intertextual elements in popular and traditional songs that circulated in Britain and Ireland, and wherever people from these islands went, roughly in the period from 1600 to 1850. I make no particular distinction between songs that traveled orally and those that circulated in print. Certainly these two media produce different characteristics in the material, but the distinction is largely an aesthetic one, and pieces regularly crossed between the two.¹ Using the myth of the siren in Homer’sThe Odysseyas a starting point,² I explore popular images of music, particularly
Editor:
Utah State University Press
Idioma:
Inglês
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