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Eighteenth-century music, 2017-09, Vol.14 (2), p.175 [Periódico revisado por pares]

Cambridge: Cambridge University Press

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  • Título:
    CONTRIBUTORS
  • Assuntos: 18th century ; 19th century ; Aesthetics ; Baroque era ; Collaboration ; Composers ; Dissertations & theses ; Feminism ; Instrumental music ; Music ; Music theory ; Musicians & conductors ; Musicology ; Opera ; Religious music
  • É parte de: Eighteenth-century music, 2017-09, Vol.14 (2), p.175
  • Descrição: In addition to ongoing work on European opera before 1800, current projects include a feminist philosophical study of music and vulnerability, and a long-term collaboration developing theory and research protocols for global music history. Joe Davies is a doctoral candidate at the University of Oxford in the final stages of an Arts and Humanities Research Council-funded project that explores the expressive and aesthetic qualities of Schubert's late works. Since 2013 he has been teaching for several Oxford colleges, notably Lady Margaret Hall, St Anne's and St Hilda's, focusing on analytical and critical approaches to music of the long eighteenth century. A committee member of the Purcell Society and general editor of The Works of John Eccles, his research focuses on the music of Henry Purcell and his contemporaries from the perspectives of source studies and contextualized musical analysis. Among his books are Antonio Salieri and Viennese Opera (Chicago: University of Chicago Press, 1998), Empress Marie Therese and Music at the Viennese Court, 1792-1807 (Cambridge: Cambridge University Press, 2003) and Music in the Eighteenth Century, in Norton's series Western Music in Context (New York, 2013).
  • Editor: Cambridge: Cambridge University Press
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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