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EPHEMERAL ARCHITECTURE AND ROMANITÀ IN THE FASCIST ERA: A ROYAL-IMPERIAL TRIBUNE FOR HITLER AND MUSSOLINI IN ROME

Tucci, Pier Luigi

Papers of the British School at Rome, 2020-10, Vol.88, p.297-341 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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  • Título:
    EPHEMERAL ARCHITECTURE AND ROMANITÀ IN THE FASCIST ERA: A ROYAL-IMPERIAL TRIBUNE FOR HITLER AND MUSSOLINI IN ROME
  • Autor: Tucci, Pier Luigi
  • Assuntos: 20th century ; Archaeology ; Architects ; Architectural history ; Architecture ; Audiences ; Excavation ; Fascism ; Historic artifacts ; Hitler, Adolf (1889-1945) ; Mussolini, Benito ; Photomontage ; Physical Environment ; Propaganda ; Roman civilization ; Sculpture ; Topography
  • É parte de: Papers of the British School at Rome, 2020-10, Vol.88, p.297-341
  • Descrição: Ephemeral architecture was the antithesis of the permanent buildings typical of the ‘Fascism of stone’, and yet many architects took advantage of this paradox to create an imaginary Rome. A widespread use of ephemeral structures was made around 1938, during the Mostra Augustea della Romanità and Hitler's state visit to Italy, in order to support a political programme that marked the totalitarian turn in the Fascist regime after the foundation of the empire and aimed at strengthening the alliance between Fascist Italy and Nazi Germany. Relying on methodologies of particular relevance to Roman art history and on various sources unknown to date, this paper investigates the relationships between ephemeral architecture and romanità. The case study is a monumental tribune built in via dei Trionfi that inevitably suffered a damnatio memoriae: a combination of classicizing and futuristic decorations, it looked back at ancient Rome and, at the same time, highlighted the Fascist regime's aspirations to might and modernity.
  • Editor: Cambridge, UK: Cambridge University Press
  • Idioma: Inglês;Italiano
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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