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Liturgical Subjects: Christian Ritual, Biblical Narrative, and the Formation of the Self in Byzantium

Arentzen, Thomas

Journal of early Christian studies, 2015, Vol.23 (4), p.636 [Periódico revisado por pares]

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Título:
Liturgical Subjects: Christian Ritual, Biblical Narrative, and the Formation of the Self in Byzantium
Autor: Arentzen, Thomas
Assuntos: 9th century ; Bible ; Centuries ; Foucault, Michel ; History ; Hymns ; Prayer ; Religious music
É parte de: Journal of early Christian studies, 2015, Vol.23 (4), p.636
Descrição: The book moves chronologically: three chapters focus on sixth-century Constantinople: Romanos the Melodist, Leontios the Presbyter, and Eucharistic prayers (chs. 2-4); one chapter treats the Great Kanon from around the turn of the eighth century and then ninth-century Kassia; one deals with a selection of (probably) ninth-century canons from the Triodion collection, and the last chapter engages tenth-century catechetical instructions by Symeon the New Theologian. Krueger suggests-and rightly so, I think-that Andrew may have written his canons for a popular rather than a monastic audience. The writers' task was to help the faithful internalize the divine gaze (the one that post-Iconoclastic artists would paint in church domes), and hence to project the whole dynamic of human salvation history into the Byzantine person.
Editor: Baltimore: Johns Hopkins University Press
Idioma: Inglês

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