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Museum Object Lessons for the Digital Age
Geismar, Haidy
London: UCL Press 2018
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Título:
Museum Object Lessons for the Digital Age
Autor:
Geismar, Haidy
Assuntos:
Anthropology
;
Art & Art History
;
arts
;
Business
;
Collection (artwork)
;
Cultural and media studies
;
Cultural studies
;
digital age
;
Ethnography
;
JBCC2 Material culture
;
Library and information sciences / Museology
;
Maori people
;
Museology and heritage studies
;
museum
;
Museum Studies
;
Museums
;
object
;
Reference, Information and Interdisciplinary subjects
;
Social and cultural anthropology
;
SOCIAL SCIENCE
;
Society and culture: general
;
Society and Social Sciences
;
Sociology and anthropology
;
thema EDItEUR
Notas:
MODID-9711fe05997:UCL Press
Relevant Wikipedia pages: Anthropology - https://en.wikipedia.org/wiki/Anthropology; Collection (artwork) - https://en.wikipedia.org/wiki/Collection_(artwork); Digital media - https://en.wikipedia.org/wiki/Digital_media; Ethnography - https://en.wikipedia.org/wiki/Ethnography; Maori people - https://en.wikipedia.org/wiki/M%C4%81ori_people
Descrição:
Museum Object Lessons for the Digital Age explores the nature of digital objects in museums, asking us to question our assumptions about the material, social and political foundations of digital practices. Through four wide-ranging chapters, each focused on a single object – a box, pen, effigy and cloak – this short, accessible book explores the legacies of earlier museum practices of collection, older forms of media (from dioramas to photography), and theories of how knowledge is produced in museums on a wide range of digital projects. Swooping from Ethnographic to Decorative Arts Collections, from the Google Art Project to bespoke digital experiments, Haidy Geismar explores the object lessons contained in digital form and asks what they can tell us about both the past and the future. Drawing on the author’s extensive experience working with collections across the world, Geismar argues for an understanding of digital media as material, rather than immaterial, and advocates for a more nuanced, ethnographic and historicised view of museum digitisation projects than those usually adopted in the celebratory accounts of new media in museums. By locating the digital as part of a longer history of material engagements, transformations and processes of translation, this book broadens our understanding of the reality effects that digital technologies create, and of how digital media can be mobilised in different parts of the world to very different effects.
Editor:
London: UCL Press
Data de criação/publicação:
2018
Formato:
164
Idioma:
Inglês
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