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SEXUAL DISSIDENCE AND FEMINIST DOCUMENTARY VIDEO IN THE 1970s: THE BRAZILIAN FILMMAKERS RITA MOREIRA AND NORMA BAHIA PONTES ARE PIONEERS IN DENOUNCING FEMALE OPPRESSION AND LESBIAN INVISIBILITY

Rosa, María Laura

Arte y políticas de identidad, 2017-06, Vol.16, p.38-53 [Periódico revisado por pares]

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Título:
SEXUAL DISSIDENCE AND FEMINIST DOCUMENTARY VIDEO IN THE 1970s: THE BRAZILIAN FILMMAKERS RITA MOREIRA AND NORMA BAHIA PONTES ARE PIONEERS IN DENOUNCING FEMALE OPPRESSION AND LESBIAN INVISIBILITY
Autor: Rosa, María Laura
Assuntos: Documentary films ; Feminism ; Gays & lesbians ; Gender studies ; Moreira, Rita ; Motion picture directors & producers ; Pontes, Norma Bahia
É parte de: Arte y políticas de identidad, 2017-06, Vol.16, p.38-53
Descrição: In this article I will analyze three works by filmmakers Rita Moreira and Norma Bahia Pontes, who during the 1970s decided to settle in New York. In this city, they were directly involved with the American Women Liberation Movement, making pieces committed to feminist militancy. In these productions, Moreira and Bahia Pontes reveal the homophobia, the stereotypes of beauty and the gender norms imposed on women. Their documentaries set precedent on the issue of lesbian visibility within the New York movement and within feminist movements in general and Brazilian feminism in particular. Also, these works are pioneers in the field of the cuir art. Back in Brazil, at the end of the 1970s, they continued with works of feminist commitment, generating references for the historiography of the independent documentary video of the Southern Cone.
Editor: Murcia: Servicio de Publicaciones, Universidad de Murcia
Idioma: Espanhol

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