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Liveness and the Grateful Dead

Flory, Andrew

American music (Champaign, Ill.), 2019-07, Vol.37 (2), p.123-145 [Periódico revisado por pares]

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Título:
Liveness and the Grateful Dead
Autor: Flory, Andrew
Assuntos: American Music ; Audiences ; Bands ; Concerts ; Fans (Aficionados) ; Garcia, Jerry ; Live performance ; Music ; Musical performances ; Musical recordings ; Musicians & conductors ; Musicology ; Ontology ; Popular music ; Rock music ; Sound ; Stanley, Owsley ; Titles
É parte de: American music (Champaign, Ill.), 2019-07, Vol.37 (2), p.123-145
Descrição: The Grateful Dead are very much alive. Often considered relics of a formative era in the history of rock, the Dead have always been known as a band in the flesh, a group to see in a live environment. The group was well aware of its own liveness. Members often cited live shows as the central statements of their work, and the band played with aspects of performativity in album titles like Live/Dead and Go to Heaven, revealing ironic connections between ontologically fixed, carefully crafted rock albums and the concerts that made them famous. Unlike many of the group's counterparts that formed in the mid-1960s, the Dead's performance practice helped to form the basis for the live rock concert as we know it, and the band's music continues to be received in a manner that accounts for a complex and nuanced history of performance practice.
Editor: Champaign: University of Illinois Press
Idioma: Inglês

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