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Art, Objects and Ideas in the Records of the Medieval Court of Chivalry
Julian Luxford Nigel Ramsay ; Anthony Musson
Courts of Chivalry and Admiralty in Late Medieval Europe, 2018, p.47
United Kingdom: Boydell & Brewer
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Título:
Art, Objects and Ideas in the Records of the Medieval Court of Chivalry
Autor:
Julian Luxford
Nigel Ramsay
;
Anthony Musson
Assuntos:
Aesthetic objects
;
Aesthetics
;
Applied arts
;
Architecture
;
Art objects
;
Arts
;
Axiology
;
Burial monuments
;
Burial structures
;
Chivalry
;
Christian philosophy
;
Christianity
;
Church groups
;
Court objections
;
Ecclesiology
;
Effigies
;
Franciscan Order
;
Funerary
architecture
;
Heraldry
;
Historical methodology
;
Historiography
;
History
;
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;
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;
Law
;
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;
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;
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;
Literary characters
;
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;
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;
Medieval history
;
Medieval philosophy
;
Philosophy
;
Plastic arts
;
Protagonists
;
Religion
;
Religious organizations
;
Spiritual belief systems
;
Tombs
;
Trial court proceedings
;
Trials
;
Visual arts
É parte de:
Courts of Chivalry and Admiralty in Late Medieval Europe, 2018, p.47
Descrição:
Maurice Keen has given such an accessible introduction to the business of the medieval Court of Chivalry that it is unnecessary to explain the institution to anyone who may pursue this book for the current chapter alone.² It will suffice to say that material objects were variously and extensively brought to bear as evidence in just one branch of the court’s work: that is, cases in which rights to bear given coats of arms were tried. Of these cases, substantial records survive for just three: Scrope v. Grosvenor, Lovell v. Morley (both initiated in 1385) and Grey v. Hastings (initiated
Editor:
United Kingdom: Boydell & Brewer
Idioma:
Inglês
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