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In conversation with Hannah Rieger

Tansella, Carole

Epidemiology and psychiatric sciences, 2020-01, Vol.29, p.e139-e139, Article e139 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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  • Título:
    In conversation with Hannah Rieger
  • Autor: Tansella, Carole
  • Assuntos: Art exhibits ; Art galleries & museums ; Artists studios ; Collectors ; Contemporary Outsider Art ; Cultural heritage ; Modern art ; Murders & murder attempts ; Outsider art ; Psychiatry ; Rieger ; Women
  • É parte de: Epidemiology and psychiatric sciences, 2020-01, Vol.29, p.e139-e139, Article e139
  • Notas: ObjectType-Article-1
    SourceType-Scholarly Journals-1
    ObjectType-Feature-2
    ObjectType-Biography-3
    content type line 23
    Carole Tansella, Section Editor
    This Section of Epidemiology and Psychiatric Sciences appears in each issue of the Journal and is dedicated to all forms of creative production born of an intimate and individual urge, often secretive, unbound from the conventional art system rules. Through short descriptions of the Outsider art work of prominent artists and new protagonists often hosted in community mental health services, this Section intends to investigate the latest developments of the contemporary art scene, where the distances between the edge and the centre are becoming more and more vague.
  • Descrição: Just to remember a few, the artist Arnulf Rainer started his considerable Art Brut collection in the early Sixties; the Gugging Museum and Gallery promotes new and established talents on an international level, and the Kunst und Kultur art studio in Linz claims experience in international projects. The House of Artists in Gugging, founded by Leo Navratil, was separated from the psychiatric clinic in 2007 and transformed into a modern art institution with art production (the House of Artists and the studio), a museum and a gallery. While Art Brut is now regularly and increasingly in the spotlight in the international art world, it still does not have equal status alongside the academically recognised ‘high art’. [...]the art market valuations for her work are still nowhere near the level for those by well-known male Art Brut artists. [...]despite the fact that the 2004 exhibition ‘Irre ist weiblich’ (Madness is female) at the Prinzhorn Museum in Heidelberg, a comprehensive presentation of the female artists from the Prinzhorn Collection, was highly successful.
  • Editor: Cambridge, UK: Cambridge University Press
  • Idioma: Inglês;Italiano
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