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CINE BRECHTIANO Y DECOLONIALIDAD: DE GODARD A ROCHA
Abuín González, Anxo
Signa (Madrid, Spain), 2024-01 (33), p.333-354
Madrid: Universidad Nacional de Educacion a Distancia (UNED)
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Título:
CINE BRECHTIANO Y DECOLONIALIDAD: DE GODARD A ROCHA
Autor:
Abuín González, Anxo
Assuntos:
Brecht, Bertolt (1898-1956)
;
Brechtianism
;
Brechtianismo
;
Cine y teatro
;
Cinema and theatre
;
Collaboration
;
Decolonialidad
;
Decoloniality
;
Decolonization
;
Descolonización
;
Dramaturges
;
Dramaturgos
;
Film theory
;
German literature
;
German theater
;
Glauber Rocha
;
Godard, Jean-Luc (1930-2022)
;
Intermedialidad
;
Intermediality
;
Jean
;
Luc Godard
;
Motion picture directors & producers
;
Motion pictures
;
Performatividad
;
Performativity
;
Playwrights
;
Rocha, Glauber
;
Teatro alemán
;
Tercer cine
;
Third cinema
É parte de:
Signa (Madrid, Spain), 2024-01 (33), p.333-354
Descrição:
Bertolt Brecht's epic theories left an immediate mark on the film medium, to which the German playwright was so close. The so-called Brechtian cinema, which is based on the questioning of the theatrical conventions regularly associated with Aristotelian drama, had a special development in the Nouvelle vague, a movement much given to intermedial experimentation. Jean-Luc Godard is taken here as an example, from his first films to his collaboration in the Dziga Vertov Group, in a period (1960-1985) in which his political concern, raised from the discussion of current Marxist-communist ideology, was considerably increasing. The influence of Brecht and Godard is well known for the film trajectory of Glauber Rocha, another representative director of Brechtian cinema, but in his evolution towards the creation of a Third space / cinema there is a growing commitment to situated thinking that would fit into a new paradigm of knowledge, decoloniality.
Editor:
Madrid: Universidad Nacional de Educacion a Distancia (UNED)
Idioma:
Espanhol
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