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Gender and Music Composition: A Study of Music, and the Gendering of Meanings

Sergeant, Desmond C ; Himonides, Evangelos

Frontiers in psychology, 2016-03, Vol.7, p.411-411 [Periódico revisado por pares]

Switzerland: Frontiers Media S.A

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  • Título:
    Gender and Music Composition: A Study of Music, and the Gendering of Meanings
  • Autor: Sergeant, Desmond C ; Himonides, Evangelos
  • Assuntos: femininity and music ; gendered music composition ; MASCFEM ; masculinity and music ; musical gender ; perception of gendering ; Psychology
  • É parte de: Frontiers in psychology, 2016-03, Vol.7, p.411-411
  • Notas: ObjectType-Article-1
    SourceType-Scholarly Journals-1
    ObjectType-Feature-2
    content type line 23
    This article was submitted to Performance Science, a section of the journal Frontiers in Psychology
    Edited by: Michele Biasutti, Padova University, Italy
    Reviewed by: Susan O'Neill, Simon Fraser University, Canada; Iwan Wopereis, Open University of the Netherlands, Netherlands
  • Descrição: In this study claims that music communicates gendered meanings are considered, and relevant literature is reviewed. We first discuss the nature of meaning in music, and how it is constructed and construed. Examples of statements of gendering in the literature are cited, and the problems identified by writers who have questioned their validity are considered. We examine the concepts underlying terminology that has been used in inconsistent and contradictory ways. Three hypotheses are posed, and tested by means of two listening tasks. Results are presented that indicate that gendering is not inherent in musical structures, but is contributed to the perceptual event by the listener.
  • Editor: Switzerland: Frontiers Media S.A
  • Idioma: Inglês
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