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The Green Line: Potency, Absurdity, and Disruption of Dichotomy in Francis Alÿs’s Intervention in Jerusalem

Mette Gieskes Jeroen Goudeau ; Mariëtte Verhoeven ; Wouter Weijers

The Imagined and Real Jerusalem in Art and Architecture, 2014, p.33

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Título:
The Green Line: Potency, Absurdity, and Disruption of Dichotomy in Francis Alÿs’s Intervention in Jerusalem
Autor: Mette Gieskes
Jeroen Goudeau ; Mariëtte Verhoeven ; Wouter Weijers
É parte de: The Imagined and Real Jerusalem in Art and Architecture, 2014, p.33
Descrição: Jerusalem is one of the places where the personal concerns of artist Francis Alys (Antwerp, 1959) have coincided with local circumstances. Like many other artists in today’s age of globalization and biennial culture, Alys travels the world like a nomad, creating his artworks – or ‘interventions’, as he calls them in response to the places he visits, often situations of societal and economic crisis or political impasse. Not infrequently, his interventions, in the artist’s own words, ‘hit a nerve’ in the local community and beyond, usually when his own preoccupations ‘meet’ the situation he encounters with a fruitful ‘clash’.¹ The confrontation
Editor: BRILL
Idioma: Inglês

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