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From “The Fate of Echo”: Introduction to Against Expression: An Anthology of Conceptual Writing

CRAIG DWORKIN ANDREA ANDERSSON

Postscript, 2018, p.41

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Título:
From “The Fate of Echo”: Introduction to Against Expression: An Anthology of Conceptual Writing
Autor: CRAIG DWORKIN
ANDREA ANDERSSON
Assuntos: Abstract art ; Aesthetic objects ; Aesthetics ; Art exhibitions ; Art genres and movements ; Art history ; Art objects ; Artists ; Arts ; Arts organizations ; Arts participation ; Axiology ; Conceptual art ; Concrete poetry ; Economic disciplines ; Economics ; Employment ; Labor economics ; Literary criticism ; Literary genres ; Literary studies ; Literature ; Modernist art ; Occupations ; Philosophy ; Poetry ; Visual arts ; Visual poetry
É parte de: Postscript, 2018, p.41
Descrição: In the 1960s, conceptual art challenged some of the fundamental assumptions of the art world: the nature of the art object; the qualifications for being an artist; the fundamental role of art in its various institutional contexts; and the proper scope of activities for the audience (those who, not long before, would have been called simply “spectators”). Key conceptual works presented language as both the illocutionary origin of art and (in certain instances) as the artwork itself. Eschewing the visual emphasis of illusionistic or referential imagery, with its attendant call for aesthetic appreciation, narrative engagement, or psychological response, conceptual art
Editor: University of Toronto Press
Idioma: Inglês

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