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The Sources of Romanesque Sculpture

Morey, Charles R.

The Art bulletin (New York, N.Y.), 1919-09, Vol.2 (1), p.10-16 [Periódico revisado por pares]

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Título:
The Sources of Romanesque Sculpture
Autor: Morey, Charles R.
Assuntos: Academic libraries ; Carolingian art ; Churches ; Draperies ; Lyricism ; Romanesque art ; Sculptors ; Sculpture ; Visual arts
É parte de: The Art bulletin (New York, N.Y.), 1919-09, Vol.2 (1), p.10-16
Descrição: FRENCH Romanesque sculpture develops in three periods: a primitive period corresponding roughly to the first quarter of the twelfth century; a second phase marked by baroque exaggeration during which the prevailing styles are those of Languedoc and Burgundy, covering the second third of the century; and lastly the style of Ile-de-France, which assimilates and refines the eccentricities of Languedoc and Burgundy, reduces the figure to a logical harmony with Gothic architecture, and finally supplants the older styles throughout the whole of France.
Editor: New York, etc: Taylor & Francis
Idioma: Inglês

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