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Protesting the Cuban Prison: Violence and Sex between Men in Carlos Montenegro’s Hombres sin mujer and Ángel Santiesteban-Prats’ Dichosos los que lloran

Whitfield, Joey

Bulletin of Hispanic studies (Liverpool : Liverpool University Press : 1996), 2017-09, Vol.94 (9), p.1013-1031 [Periódico revisado por pares]

Liverpool: Liverpool University Press

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Título:
Protesting the Cuban Prison: Violence and Sex between Men in Carlos Montenegro’s Hombres sin mujer and Ángel Santiesteban-Prats’ Dichosos los que lloran
Autor: Whitfield, Joey
Assuntos: Anthologies ; Antologías ; Archetypes ; Clases sociales ; Comparative literature ; Criticism and interpretation ; Crítica literaria ; Crítica social ; Cuban literature ; Dictators ; Estudios de género ; Gender studies ; Hegemony ; Hegemonía ; Historical text analysis ; Homosexualidad ; Homosexuality ; Imprisonment ; Latin American literature ; Literary criticism ; Literatura carcelaria ; Literatura comparada ; Literatura cubana ; Masculinidad ; Masculinity ; Montenegro, Carlos ; Montenegro, Carlos (1900-1981) ; MSM (Men who have sex with men) ; Narrativa breve ; Novel ; Novela ; Novelists ; Novels ; Oppression ; Persecución ; Persecution ; Poder ; Portrayals ; Power ; Prison literature ; Prisoner treatment ; Prisons ; Racism ; Racismo ; Rape ; Santiesteban-Prats, Angel ; Sexualidad y literatura ; Sexuality and literature ; Short story ; Social aspects ; Social classes ; Social criticism ; Social criticism & satire ; Violación ; Violence ; Works
É parte de: Bulletin of Hispanic studies (Liverpool : Liverpool University Press : 1996), 2017-09, Vol.94 (9), p.1013-1031
Descrição: This article contrasts two texts that represent distinct moments in the history of incarceration in Cuba, Carlos Montenegro’s novel Hombres sin mujer (1937) and Ángel Santiesteban-Prats’ collection of short stories Dichosos los que lloran (2006). It analyses the sometimes contradictory strategies by which these authors denounce the penal systems in which they were incarcerated. As an adjunct to these established ‘vectors’ of gender, race and class which inevitably shape and are expressed through these texts, I add the idea of the prison itself. Ultimately I show that the way in which these texts base their critique of the oppressive hegemonic institution of the prison on an appeal to the oppressive institutions of race and gender means that their critiques can only ever be partial. The point is not to condemn the shortcomings of these authors but rather to affirm the need for an intersectional approach to oppressive institutions.
Editor: Liverpool: Liverpool University Press
Idioma: Espanhol;Inglês

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Protesting the Cuban Prison: Violence and Sex between Men in Carlos Montenegro’s Hombres sin mujer and Ángel Santiesteban-Prats’ Dichosos los que lloran

Whitfield, Joey

Liverpool: Liverpool University Press

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