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Painting Windows: Robert Delaunay, Blaise Cendrars, and the Search for Simultaneity

ROBERTSON, E

The Modern language review, 1995-10, Vol.90 (4), p.883-896 [Periódico revisado por pares]

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Título:
Painting Windows: Robert Delaunay, Blaise Cendrars, and the Search for Simultaneity
Autor: ROBERTSON, E
Assuntos: Abstract art ; Analysis ; Art criticism ; Avant-garde ; Avant-garde (Aesthetics) ; Cendrars, Blaise (1887-1961) ; Colors ; Comparative literature ; Comparative studies of works ; Criticism and interpretation ; Cubism ; Curtains ; Delaunay, Robert ; History and sciences of litterature ; Literary criticism ; Narrative poetry ; Poetry ; Sciences of litterature ; Simultaneity ; Syntax ; Theory ; Visual artists
É parte de: The Modern language review, 1995-10, Vol.90 (4), p.883-896
Notas: ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
Descrição: The poems of Blaise Cendrars and the paintings of Robert Delaunay show similarities in thematic development. These works merge subjectivity with abstraction. Paris became an important subject of their creations, but both used it differently. Delaunay drew a series of paintings of the Eiffel Tower from his memory to practice compositional and formal aspects of drawing, avoiding realistic details. Cendrars overtly uses Paris as a backdrop in his poems based on urban reality.
Editor: London: W. S. Maney & Son Ltd
Idioma: Inglês

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