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The 'discovery' and appropriation of African music and dance

Fryer, Peter

Race & class, 1998-01, Vol.39 (3), p.1-20 [Periódico revisado por pares]

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Título:
The 'discovery' and appropriation of African music and dance
Autor: Fryer, Peter
Assuntos: Africa ; African music ; African-Americans ; Black history ; Class ; Cultural life ; Culture ; Dance ; History ; History of music ; Music ; Musicology ; North America ; Race ; Sociology ; Sociology of art and literature ; Sociology of knowledge and sociology of culture
É parte de: Race & class, 1998-01, Vol.39 (3), p.1-20
Notas: ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
Descrição: The discovery and appropriation of black music started in North America in 1774, or even before. There are reports of white teenagers singing and dancing with slaves. The impact of African traditional music on the people of other cultures led to imitation by white composers with the emergence of blackface minstrelsy in the early 1820s. Ragtime, based on black dance music, was introduced to the white public during the end of the nineteenth century. A group of white musicians made the first recordings of jazz in 1917, the successors and cultural descendants of the teenagers 143 years before.
Editor: Thousand Oaks, CA: SAGE Publications
Idioma: Inglês

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