Resistance and Persistence: On the Fortunes and Reciprocal International Influences of French Romanticism

• Autor: Ribner, Jonathan P
• Assuntos: 20th century ; Art galleries & museums ; British & Irish literature ; Byron, George Gordon (Lord) (1788-1824) ; English literature ; German literature ; Heine, Heinrich (1797-1856) ; Jewish literature ; Modernism ; Realism ; Religion ; Romantic period ; Romanticism ; Truth ; Writers ; Zoroastrianism
• É parte de: Studies in romanticism, 2018-12, Vol.57 (4), p.505-538
• Descrição: According to Octave, the convictions of the past have been lost, with nothing to replace them: "All the evils of the present come from two causes: the people who have passed through 1793 and 1814 nurse wounds in their hearts. [...]The Stonebreakers (1849, formerly at the Gemäldegalerie, Dresden, destroyed in 1945) startled bourgeois visitors to the Salon of 1850-51 with a palpable, factual representation of threadbare indigence and bone-grinding manual labor that seemed light years away from the Romantic preoccupation with imagination and feehng. [...]grandiose was Rodin's self-image, that he equated his own work not with truth to nature, but rather with divine creation. [...]The Hand of God (1898; fig. 7) holds a piece of sculpture that mimics the idiom in which Rodin characteristically worked: entwined lovers partially engaged in a rough-hewn block. "Romanticism and Classicism," quoted in Hulme, The Collected Writings of T. E. Hulme, 61-62. [...]Robert Rosenblum aptly quotes Hulme's term "spilt religion" at the opening of Modern Painting and the Northern Romantic Tradition. 55.
  
• Editor: Boston: Johns Hopkins University Press
  
• Idioma: Inglês