Resistance and Persistence: On the Fortunes and Reciprocal International Influences of French Romanticism
ABCD PBi
Resistance and Persistence: On the Fortunes and Reciprocal International Influences of French Romanticism
Autor:
Ribner, Jonathan P
Assuntos:
20th century
;
Art galleries & museums
;
British & Irish
literature
;
Byron, George Gordon (Lord) (1788-1824)
;
English
literature
;
German
literature
;
Heine, Heinrich (1797-1856)
;
Jewish
literature
;
Modernism
;
Realism
;
Religion
;
Romantic period
;
Romanticism
;
Truth
;
Writers
;
Zoroastrianism
É parte de:
Studies in romanticism, 2018-12, Vol.57 (4), p.505-538
Descrição:
According to Octave, the convictions of the past have been lost, with nothing to replace them: "All the evils of the present come from two causes: the people who have passed through 1793 and 1814 nurse wounds in their hearts. [...]The Stonebreakers (1849, formerly at the Gemäldegalerie, Dresden, destroyed in 1945) startled bourgeois visitors to the Salon of 1850-51 with a palpable, factual representation of threadbare indigence and bone-grinding manual labor that seemed light years away from the Romantic preoccupation with imagination and feehng. [...]grandiose was Rodin's self-image, that he equated his own work not with truth to nature, but rather with divine creation. [...]The Hand of God (1898; fig. 7) holds a piece of sculpture that mimics the idiom in which Rodin characteristically worked: entwined lovers partially engaged in a rough-hewn block. "Romanticism and Classicism," quoted in Hulme, The Collected Writings of T. E. Hulme, 61-62. [...]Robert Rosenblum aptly quotes Hulme's term "spilt religion" at the opening of Modern Painting and the Northern Romantic Tradition. 55.
Editor:
Boston: Johns Hopkins University Press
Idioma:
Inglês