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The Freedom of Aesthetics
Furman, Adam Nathaniel
Architectural design, 2018-05, Vol.88 (3), p.68-75
Chichester, UK: John Wiley & Sons, Ltd
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Title:
The Freedom of Aesthetics
Author:
Furman, Adam Nathaniel
Subjects:
Aesthetics
;
Antonio Sant'Elia
;
Architecture
;
Attitudes
;
Austria
;
Berlin
;
Bolivia
;
Charles Baudelaire
;
Charles Moore
;
El Alto
;
El Lissitzky
;
Embassy Gardens Phase II
;
Freddy Mamani Silvestre
;
Freedoms
;
Friedrichstrasse Skyscraper Project
;
Hans Hollein
;
Isaiah Berlin
;
Japan
;
King Ludwig II of Bavaria
;
Kyoto
;
London
;
Modernity
;
Mies van der Rohe
;
Moscow
;
negative liberty
;
New Haven
;
Oxford University
;
Pharaoh Dental Clinic
;
Philadelphia
;
Post‐Modernism
;
Retti candle store
;
Robert Venturi
;
Shin Takamatsu
;
Superstudio
;
The Painter of Modern Life
;
Vanna Venturi House
;
Vienna
;
‘Cholet’ events space
;
‘Città Nuova’ (New City)
;
‘Wolkenbügel’ (‘cloud‐iron’)
Is Part Of:
Architectural design, 2018-05, Vol.88 (3), p.68-75
Description:
Architecture begins when ‘building’ ends. This may make it sound like an unnecessary add‐on to construction, but – argues London‐based designer, educator and writer Adam Nathaniel Furman – the architect's function as a spatialiser of aesthetics and meaning is precisely what makes the profession crucially enriching to human existence. Observing how it is too often dominated by a consensus on style and approach that prevents it from embodying the full complexity of its time, he highlights brief past periods of greater aesthetic freedom, and invites today's architects to a similarly open attitude, to create works that are truly inspired – and inspiring.
Publisher:
Chichester, UK: John Wiley & Sons, Ltd
Language:
English
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