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1
Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century
Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century
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Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century

Gras, Henk ; van Vliet, Harry

Journal of social history, 2004-12, Vol.38 (2), p.471-512 [Periódico revisado por pares]

Oxford: Oxford University Press

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2
The Question of Translation in Taiwanese Colonial Cinematic Space
The Question of Translation in Taiwanese Colonial Cinematic Space
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The Question of Translation in Taiwanese Colonial Cinematic Space

Chiu, Kuei-Fen

The Journal of Asian studies, 2011-02, Vol.70 (1), p.77-97 [Periódico revisado por pares]

New York, USA: Cambridge University Press

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3
Book Review: Ben Jonson and Theatre: Performance, Practice and Theory. Edited by Richard Cave, Elizabeth Schafer, and Brian Woolland. New York: Routledge, 1999
Book Review: Ben Jonson and Theatre: Performance, Practice and Theory. Edited by Richard Cave, Elizabeth Schafer, and Brian Woolland. New York: Routledge, 1999
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Book Review: Ben Jonson and Theatre: Performance, Practice and Theory. Edited by Richard Cave, Elizabeth Schafer, and Brian Woolland. New York: Routledge, 1999

Medieval & Renaissance Drama in England, 2001, Vol.14

Cranbury: Associated University Presses

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4
The Making of American Audiences: From Stage to Television, 1750–1990
The Making of American Audiences: From Stage to Television, 1750–1990
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The Making of American Audiences: From Stage to Television, 1750–1990

Butsch, Richard

New York: Cambridge University Press 2000

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5
“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon
“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon
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“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon

Goody, Alex

Modern drama, 2014-09, Vol.57 (3), p.339-363 [Periódico revisado por pares]

Toronto: University of Toronto Press

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6
Rewriting the Narrative of Dramatic Character, or, Not "Shakespearean" but "Debatable"
Rewriting the Narrative of Dramatic Character, or, Not "Shakespearean" but "Debatable"
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Rewriting the Narrative of Dramatic Character, or, Not "Shakespearean" but "Debatable"

LUNNEY, RUTH

Medieval & Renaissance drama in England, 2001-01, Vol.14, p.66-85

Cranbury: Fairleigh Dickinson University Press

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7
Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore
Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore
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Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore

Wood, Juliette

Folklore (London), 2006-12, Vol.117 (3), p.279-296 [Periódico revisado por pares]

Basingstoke: Routledge

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8
(Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis
(Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis
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(Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis

Birke, Dorothee

Journal of Contemporary Drama in English, 2019-05, Vol.7 (1), p.89-106 [Periódico revisado por pares]

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9
Preliminary notes on audiences in Africa
Preliminary notes on audiences in Africa
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Preliminary notes on audiences in Africa

Barber, Karin

Africa (London. 1928), 1997-06, Vol.67 (3), p.347-362 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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10
Engineering Performance: Lev Kuleshov, Soviet Reflexology, and Labor Efficiency Studies
Engineering Performance: Lev Kuleshov, Soviet Reflexology, and Labor Efficiency Studies
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Engineering Performance: Lev Kuleshov, Soviet Reflexology, and Labor Efficiency Studies

Olenina, Ana

Discourse (Berkeley, Calif.), 2013-10, Vol.35 (3), p.297-336 [Periódico revisado por pares]

Detroit: Wayne State University Press

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