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BEGINNINGS, ENDINGS, AND ETERNAL RETURNS: VLADIMIR SHAROV, ANDREI PLATONOV AND THE LEGACY OF THE SOVIET AVANT-GARDE
BEGINNINGS, ENDINGS, AND ETERNAL RETURNS: VLADIMIR SHAROV, ANDREI PLATONOV AND THE LEGACY OF THE SOVIET AVANT-GARDE
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BEGINNINGS, ENDINGS, AND ETERNAL RETURNS: VLADIMIR SHAROV, ANDREI PLATONOV AND THE LEGACY OF THE SOVIET AVANT-GARDE

Bullock, Philip Ross

Slavic and East European journal, 2020-04, Vol.64 (1), p.62 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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2
HOW SHAROV'S NOVELS ARE MADE: THE REHEARSALS AND BEFORE & DURING
HOW SHAROV'S NOVELS ARE MADE: THE REHEARSALS AND BEFORE & DURING
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HOW SHAROV'S NOVELS ARE MADE: THE REHEARSALS AND BEFORE & DURING

Ready, Oliver

Slavic and East European journal, 2020-04, Vol.64 (1), p.42 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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3
"LIVING TOGETHER LIKE CHILDREN": SUBMISSION, FIDELITY, AND DEFIANCE IN THE MEMOIRS OF NADEZHDA MANDEL'SHTAM
"LIVING TOGETHER LIKE CHILDREN": SUBMISSION, FIDELITY, AND DEFIANCE IN THE MEMOIRS OF NADEZHDA MANDEL'SHTAM
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"LIVING TOGETHER LIKE CHILDREN": SUBMISSION, FIDELITY, AND DEFIANCE IN THE MEMOIRS OF NADEZHDA MANDEL'SHTAM

Zaitseva, Lusia

Slavic and East European journal, 2020-03, Vol.64 (1), p.92 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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4
KRUCHENYKH AT THE ZERO-POINT OF RUSSIAN MODERNISM
KRUCHENYKH AT THE ZERO-POINT OF RUSSIAN MODERNISM
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KRUCHENYKH AT THE ZERO-POINT OF RUSSIAN MODERNISM

Strudler, Jason

Slavic and East European journal, 2020-03, Vol.64 (1), p.75 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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5
DOSTOEVSKII ON EVIL AS SAFE HAVEN AND ANESTHETIC
DOSTOEVSKII ON EVIL AS SAFE HAVEN AND ANESTHETIC
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DOSTOEVSKII ON EVIL AS SAFE HAVEN AND ANESTHETIC

Corrigan, Yuri

Slavic and East European journal, 2019-07, Vol.63 (2), p.226-243 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages (AATSEEL of the U.S., Inc.)

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6
Self-translation and the Transformation of Nabokov's Aesthetics from Kamera obskura to Laughter in the Dark
Self-translation and the Transformation of Nabokov's Aesthetics from Kamera obskura to Laughter in the Dark
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Self-translation and the Transformation of Nabokov's Aesthetics from Kamera obskura to Laughter in the Dark

Gershkovich, Tatyana

Slavic and East European journal, 2019-07, Vol.63 (2), p.206 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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7
Authorizing the Image: Photography in Nabokov's Speak, Memory
Authorizing the Image: Photography in Nabokov's Speak, Memory
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Authorizing the Image: Photography in Nabokov's Speak, Memory

Jensen, Robyn

Slavic and East European journal, 2019-07, Vol.63 (2), p.179 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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8
Dog from the Other Shore: Dangerous Escapades, Animal Rescue and the Ethnic Other in "Salty Dog," 1960s to 1970s
Dog from the Other Shore: Dangerous Escapades, Animal Rescue and the Ethnic Other in "Salty Dog," 1960s to 1970s
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Dog from the Other Shore: Dangerous Escapades, Animal Rescue and the Ethnic Other in "Salty Dog," 1960s to 1970s

Mondry, Henrietta

Slavic and East European journal, 2019-07, Vol.63 (2), p.265 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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9
Deprivations of Space and Time: Tsvetaeva's "Absentiality" and "A Minute" as Anti-Elegiac Meditations on Exile
Deprivations of Space and Time: Tsvetaeva's "Absentiality" and "A Minute" as Anti-Elegiac Meditations on Exile
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Deprivations of Space and Time: Tsvetaeva's "Absentiality" and "A Minute" as Anti-Elegiac Meditations on Exile

Lemelin, Christopher W

Slavic and East European journal, 2019-06, Vol.63 (2), p.244 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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10
How is the Fly Fallen, Fallen": The Sacrificed Insects of Anton Chekhov and Katherine Mansfield
How is the Fly Fallen, Fallen": The Sacrificed Insects of Anton Chekhov and Katherine Mansfield
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How is the Fly Fallen, Fallen": The Sacrificed Insects of Anton Chekhov and Katherine Mansfield

Geballe, Elizabeth F

Slavic and East European journal, 2019-03, Vol.63 (1), p.74 [Periódico revisado por pares]

Tucson: American Association of Teachers of Slavic and East European Languages

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