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1
Irony, sexism and magic in Paolo Sorrentino's films
Irony, sexism and magic in Paolo Sorrentino's films
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Irony, sexism and magic in Paolo Sorrentino's films

Simor, Eszter ; Sorfa, David

Studies in European cinema, 2017-09, Vol.14 (3), p.200-215 [Periódico revisado por pares]

Routledge

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2
Portrayal of Turkish-German migratory relations in Turkish films of the 1980s: a call for an alternative reading
Portrayal of Turkish-German migratory relations in Turkish films of the 1980s: a call for an alternative reading
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Portrayal of Turkish-German migratory relations in Turkish films of the 1980s: a call for an alternative reading

Tunç Cox, Ayça

Turkish studies, 2019-10, Vol.20 (5), p.794-811 [Periódico revisado por pares]

Abingdon: Routledge

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3
First steps: an overview of John Clarke's television work in New Zealand before 1980
First steps: an overview of John Clarke's television work in New Zealand before 1980
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First steps: an overview of John Clarke's television work in New Zealand before 1980

Horan, Paul ; Hutchings, Mark

Comedy studies, 2019-01, Vol.10 (1), p.119-126 [Periódico revisado por pares]

Abingdon: Routledge

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4
'Figlie di papà'?: Adolescent Girls between the Incest Motif and Female Friendship in Contemporary Italian Film Comedy
'Figlie di papà'?: Adolescent Girls between the Incest Motif and Female Friendship in Contemporary Italian Film Comedy
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'Figlie di papà'?: Adolescent Girls between the Incest Motif and Female Friendship in Contemporary Italian Film Comedy

Hipkins, Danielle

Italianist, 2015-06, Vol.35 (2), p.248-271 [Periódico revisado por pares]

Routledge

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5
Cheating death: the potency and perversity of Margaret Rutherford as Miss Marple
Cheating death: the potency and perversity of Margaret Rutherford as Miss Marple
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Cheating death: the potency and perversity of Margaret Rutherford as Miss Marple

Mortimer, Claire

Social semiotics, 2016-05, Vol.26 (3), p.311-324 [Periódico revisado por pares]

Abingdon: Routledge

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6
The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)
The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)
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The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)

Cardullo, Robert ; Tati, Jacques

Contemporary French and francophone studies, 2013-06, Vol.17 (3), p.357-369 [Periódico revisado por pares]

Abingdon: Taylor & Francis Group

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7
'Isn't It Ironic': The films of the Coen Brothers
'Isn't It Ironic': The films of the Coen Brothers
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'Isn't It Ironic': The films of the Coen Brothers

Rothman, Stephen

Comedy studies, 2011-01, Vol.2 (1), p.55-62 [Periódico revisado por pares]

Routledge

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8
Love and Microphones: Romantic Comedy Heroines as Public Speakers
Love and Microphones: Romantic Comedy Heroines as Public Speakers
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Love and Microphones: Romantic Comedy Heroines as Public Speakers

Hersey, Eleanor

The journal of popular film and television, 2007, Vol.34 (4), p.149-159 [Periódico revisado por pares]

Washington, D. C: Heldref

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9
"Some things are proper, and some things are not": forgotten men and disciplined women in My Man Godfrey
"Some things are proper, and some things are not": forgotten men and disciplined women in My Man Godfrey
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"Some things are proper, and some things are not": forgotten men and disciplined women in My Man Godfrey

Siomopoulos, Anna

New review of film and television studies, 2024-01, Vol.22 (1), p.34-57 [Periódico revisado por pares]

Abingdon: Routledge

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10
Evidence to the contrary: matrimony & legal interventionism in silent divorce comedies
Evidence to the contrary: matrimony & legal interventionism in silent divorce comedies
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Evidence to the contrary: matrimony & legal interventionism in silent divorce comedies

Abramson, Leslie H.

New review of film and television studies, 2020-01, Vol.18 (1), p.8-27 [Periódico revisado por pares]

Abingdon: Routledge

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