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“My Answer to What Music Theatre Can Be”: Iconoclasm and Entrepreneurship in Steve Reich and Beryl Korot'sThe CaveRyan EbrightAmerican music (Champaign, Ill.), 2017-04, Vol.35 (1), p.29-50 [Periódico revisado por pares]University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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Popularization or Perversion? Folklore and Folksong in Britten'sPaul Bunyan(1941)Robinson, SuzanneAmerican music (Champaign, Ill.), 2016-05, Vol.34 (1), p.1-42 [Periódico revisado por pares]University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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Literary Conductors: From Kapellmeister to MaestroZiolkowski, TheodoreThe Modern language review, 2018-07, Vol.113 (3), p.455-480 [Periódico revisado por pares]Belfast: Modern Humanities Research AssociationTexto completo disponível |
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Material Type: Artigo
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"Il teatro e la vita non son la stessa cosa?" Self-References and Their Cultural Context in Leoncavallo's "Pagliacci"Kuhn, BernhardItalica (New York, N.Y.), 2017-03, Vol.94 (1), p.31-51 [Periódico revisado por pares]American Association of Teachers of ItalianTexto completo disponível |
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Material Type: Artigo
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Adinapar excellence: Eugenia Tadolini and the Performing Tradition of Donizetti'sL'elisir d'amorein ViennaClaudio Vellutini19th century music, 2014-07, Vol.38 (1), p.3-29 [Periódico revisado por pares]University of California PressTexto completo disponível |
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Material Type: Artigo
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Cosmopolitanism in the Age of Nationalism, 1848–1914Gooley, Dana ; Minor, Ryan ; Preston, Katherine K. ; Pasler, JannJournal of the American Musicological Society, 2013-07, Vol.66 (2), p.523-549 [Periódico revisado por pares]Richmond, Va: University of California PressTexto completo disponível |
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Material Type: Artigo
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Notes from the Editor: Second Thoughts: The Genre of Biography and Natalie Bauer-Lechner as WitnessBotstein, LeonThe Musical quarterly, 2014-04, Vol.97 (1), p.1-11 [Periódico revisado por pares]Oxford University PressTexto completo disponível |
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Material Type: Artigo
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Grand Ideas and Second Thoughts: Lessons from George Colburn’s Personal Score to Antony and Cleopatra (Cines-Kleine, 1914)Doering, James M.American music (Champaign, Ill.), 2018-04, Vol.36 (1), p.46-69 [Periódico revisado por pares]Champaign: University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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“My Answer to What Music Theatre Can Be”: Iconoclasm and Entrepreneurship in Steve Reich and Beryl Korot’s The CaveEbright, RyanAmerican music (Champaign, Ill.), 2017-03, Vol.35 (1), p.29-50 [Periódico revisado por pares]Champaign: University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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Regionalist Frictions in the Bullring: Lyric Theater in Béziers at theFin de SiècleChristopher Moore19th century music, 2014-03, Vol.37 (3), p.211-241 [Periódico revisado por pares]University of California PressTexto completo disponível |