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1
The Heretical Archive: Digital Memory at the End of Film by Domietta Torlasco. University of Minnesota Press, Minneapolis, MN, 2013. 160 pp., illus. Trade, paper. ISBN: 978-0-8166-8109-9; ISBN: 978-0-8166-8110-5
The Heretical Archive: Digital Memory at the End of Film by Domietta Torlasco. University of Minnesota Press, Minneapolis, MN, 2013. 160 pp., illus. Trade, paper. ISBN: 978-0-8166-8109-9; ISBN: 978-0-8166-8110-5
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The Heretical Archive: Digital Memory at the End of Film by Domietta Torlasco. University of Minnesota Press, Minneapolis, MN, 2013. 160 pp., illus. Trade, paper. ISBN: 978-0-8166-8109-9; ISBN: 978-0-8166-8110-5

Baetens, Jan

Leonardo (Oxford), 2014, Vol.47 (3), p.300-301 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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2
“Raw Data” Is an Oxymoron edited by Lisa Gitelman. The MIT Press, Cambridge, MA, U.S.A., 2013. 208 pp., illus. Paper. ISBN: 9780262518284
“Raw Data” Is an Oxymoron edited by Lisa Gitelman. The MIT Press, Cambridge, MA, U.S.A., 2013. 208 pp., illus. Paper. ISBN: 9780262518284
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“Raw Data” Is an Oxymoron edited by Lisa Gitelman. The MIT Press, Cambridge, MA, U.S.A., 2013. 208 pp., illus. Paper. ISBN: 9780262518284

Baetens, Jan

Leonardo (Oxford), 2014, Vol.47 (3), p.303-304 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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3
How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris. The MIT Press, Cambridge, MA, U.S.A., 2013. 304 pp., illus. Trade. ISBN: 978-0-262-01919-4
How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris. The MIT Press, Cambridge, MA, U.S.A., 2013. 304 pp., illus. Trade. ISBN: 978-0-262-01919-4
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How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris. The MIT Press, Cambridge, MA, U.S.A., 2013. 304 pp., illus. Trade. ISBN: 978-0-262-01919-4

Blassnigg, Martha

Leonardo (Oxford), 2014, Vol.47 (3), p.299-300 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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4
Insect Media: An Archaeology of Animals and Technology by Jussi Parikka. University of Minnesota Press, Minneapolis, MN, U.S.A., 2010. 320 pp., illus. Trade, paper. ISBN: 978-0-8166-6739-0; ISBN: 978-0-8166-6740-6
Insect Media: An Archaeology of Animals and Technology by Jussi Parikka. University of Minnesota Press, Minneapolis, MN, U.S.A., 2010. 320 pp., illus. Trade, paper. ISBN: 978-0-8166-6739-0; ISBN: 978-0-8166-6740-6
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Insect Media: An Archaeology of Animals and Technology by Jussi Parikka. University of Minnesota Press, Minneapolis, MN, U.S.A., 2010. 320 pp., illus. Trade, paper. ISBN: 978-0-8166-6739-0; ISBN: 978-0-8166-6740-6

Enns, Anthony

Leonardo (Oxford), 2014, Vol.47 (3), p.307-308 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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5
Surrealist Ghostliness by Katharine Conley. University of Nebraska Press, Lincoln, NE, U.S.A., 2013. 320 pp., illus. Trade. ISBN: 978-0-8032-2659-3
Surrealist Ghostliness by Katharine Conley. University of Nebraska Press, Lincoln, NE, U.S.A., 2013. 320 pp., illus. Trade. ISBN: 978-0-8032-2659-3
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Surrealist Ghostliness by Katharine Conley. University of Nebraska Press, Lincoln, NE, U.S.A., 2013. 320 pp., illus. Trade. ISBN: 978-0-8032-2659-3

Harle, Rob

Leonardo (Oxford), 2014, Vol.47 (3), p.305-306 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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6
After Art by David Joselit. Princeton University Press, Princeton, NJ, U.S.A., 2013. 136 pp., illus. Trade. ISBN: 978-0-691-1504-4
After Art by David Joselit. Princeton University Press, Princeton, NJ, U.S.A., 2013. 136 pp., illus. Trade. ISBN: 978-0-691-1504-4
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After Art by David Joselit. Princeton University Press, Princeton, NJ, U.S.A., 2013. 136 pp., illus. Trade. ISBN: 978-0-691-1504-4

Lyons, Kieran

Leonardo (Oxford), 2014, Vol.47 (3), p.298-299 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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7
700 Artists' Processes by Maxime Chanson; foreword by Alexandre Quoi. Les presses du reel, Dijon, France, 2013. 94 pp. Trade. ISBN: 9782916067889
700 Artists' Processes by Maxime Chanson; foreword by Alexandre Quoi. Les presses du reel, Dijon, France, 2013. 94 pp. Trade. ISBN: 9782916067889
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700 Artists' Processes by Maxime Chanson; foreword by Alexandre Quoi. Les presses du reel, Dijon, France, 2013. 94 pp. Trade. ISBN: 9782916067889

Martellini, Florence

Leonardo (Oxford), 2014, Vol.47 (3), p.306-307 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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8
Money, Trains, and Guillotines: Art and Revolution in 1960s Japan by William A. Marotti. Duke University Press, Durham NC, U.S.A., 2013. 464 pp., illus. Trade, paper. ISBN: 978-0-8223-4965-5; ISBN: 978-0-8223-4980-8 and From Postwar to Postmodern: Art in Japan 1945–1989 edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo. Museum of Modern Art, New York, NY, U.S.A., 2012; Distributed by Duke University Press. 464 pp., illus. Paper. ISBN: 978-00823-5368-3
Money, Trains, and Guillotines: Art and Revolution in 1960s Japan by William A. Marotti. Duke University Press, Durham NC, U.S.A., 2013. 464 pp., illus. Trade, paper. ISBN: 978-0-8223-4965-5; ISBN: 978-0-8223-4980-8 and From Postwar to Postmodern: Art in Japan 1945–1989 edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo. Museum of Modern Art, New York, NY, U.S.A., 2012; Distributed by Duke University Press. 464 pp., illus. Paper. ISBN: 978-00823-5368-3
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Money, Trains, and Guillotines: Art and Revolution in 1960s Japan by William A. Marotti. Duke University Press, Durham NC, U.S.A., 2013. 464 pp., illus. Trade, paper. ISBN: 978-0-8223-4965-5; ISBN: 978-0-8223-4980-8 and From Postwar to Postmodern: Art in Japan 1945–1989 edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo. Museum of Modern Art, New York, NY, U.S.A., 2012; Distributed by Duke University Press. 464 pp., illus. Paper. ISBN: 978-00823-5368-3

Mosher, Mike

Leonardo (Oxford), 2014, Vol.47 (3), p.301-302 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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9
Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime by Elizabeth A. Kessler. University of Minnesota Press, Minneapolis, MN, U.S.A.; London, U.K.; 2012. 280 pp., illus. Trade, paper. ISBN: 978-0-8166-7956-0; ISBN: 978-0-8166-7957-7
Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime by Elizabeth A. Kessler. University of Minnesota Press, Minneapolis, MN, U.S.A.; London, U.K.; 2012. 280 pp., illus. Trade, paper. ISBN: 978-0-8166-7956-0; ISBN: 978-0-8166-7957-7
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Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime by Elizabeth A. Kessler. University of Minnesota Press, Minneapolis, MN, U.S.A.; London, U.K.; 2012. 280 pp., illus. Trade, paper. ISBN: 978-0-8166-7956-0; ISBN: 978-0-8166-7957-7

Petersen, Stephen

Leonardo (Oxford), 2014, Vol.47 (3), p.302-303 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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10
Visual Histories: Photography in the Popular Imagination by Malavika Karlekar. Oxford University Press, New Delhi, India, 2013. 174 pp., illus. Trade. ISBN: 9780198090267
Visual Histories: Photography in the Popular Imagination by Malavika Karlekar. Oxford University Press, New Delhi, India, 2013. 174 pp., illus. Trade. ISBN: 9780198090267
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Visual Histories: Photography in the Popular Imagination by Malavika Karlekar. Oxford University Press, New Delhi, India, 2013. 174 pp., illus. Trade. ISBN: 9780198090267

Sharma, Aparna

Leonardo (Oxford), 2014, Vol.47 (3), p.304-305 [Revista revisada por pares]

The MIT Press, 1 Rogers Street, Cambridge MA 02142-1209, USA: MIT Press

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